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- Mary of Scotland
-
-
- (December 4, 1933)
-
- Nearly 400 years after her birth, any new play or book about
- Mary Stuart, Queen of Scots, is news in the hope that it may
- explain why Mary is still potent to make historians and poets
- weep. She was Queen of Scotland a few days after birth, Queen
- of France at 18, true Queen of England according to Catholic
- Europe. She was tall, slim, dark, with an oval, plump-cheeked
- face like Film Actress Diana Wynyard's. She had beauty, brains,
- charm that she never turned off. She had little Scots
- patriotism, no bigotry, a great gift for hatred and revenge, a
- warm and grateful heart. The Scots, intent on being Protestants,
- were suspicious of her. England's Elizabeth feared, hated and
- envied her. Mary was alone in a country too cold for her.
-
- Author Anderson, who dramatically presented Elizabeth in his
- Elizabeth, the Queen three years ago, has done better by Mary
- in Mary of Scotland. Of the story of murder and plotting, cloaks
- & swords, knife-faced Bothwell, caddish Darnley, crafty young
- Elizabeth, the snaggle-toothed pack of Scots Lords, he has made
- a poetic play. Designer Robert Edmond Jones has set it against
- six harsh splendid sets.
-
- Author Anderson's plot makes more sense than history: Mary
- and Bothwell fall in love at once. Mary marries Darnley for
- mistaken policy, sends Bothwell away. Darnley wrecks himself and
- Mary by playing with the Lords, knifes Mary's secretary Rizzo
- on suspicion of adultery, thus unwittingly giving a spurious
- confirmation to the lie Elizabeth has spread about her
- kinswoman. The Lords then murder Darnley, shift the blame to
- Bothwell when he marries Mary. They defeat Mary and Bothwell in
- battle. Mary escapes from their jail into Elizabeth's jail and
- her tragedy waits only on the headsman's sword. Author Anderson
- entirely whitewashes Mary and Bothwell for the murder of
- Darnley.
-
- Helen Hayes, back to the stage from suffering in cinemas like
- Farewell To Arms, White Sister, gives to Mary little but these
- same brave, little girl accents. When she is on the stage in the
- last scene with Helen Menken, scrawny and harsh-voiced as
- Elizabeth, she is just a Hollywood actress.
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